Tough camera deals

Your browser's Javascript functionality is turned off. Please turn it on so that you can experience the full capabilities of this site. London Drugs has everything you need to capture incredible images to share with friends and family. DSLR or Digital Single Lens Reflex cameras are always ready for that great shot, with large image sensors that produce high quality photos.

With almost no lag time, they are ideal for action photography. In the market for a new compact camera? Getting the best photos is easy with our comprehensive collection of Point and Shoot cameras, with your choice of autofocus lenses and built in flash units. Find the latest in degree cameras to create livestream videos that easily transfer to your phone or mobile device — the perfect companion for hikers and world travelers for capturing panoramic views and memories.

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Compact and bridge cameras - Cheap Compact and bridge cameras Deals | Currysie

Store Hours. Select Another Store Store Details. Remember Me. Ease of use isn't a huge hurdle these days—everything has an auto mode—but models with guided interfaces will let you take some sort of control over how your photos turn out, without having to know too much technical jargon. You don't have to get a digital camera to get a camera.

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Film is still an option, with instant cameras being extremely popular. Instant formats take away the hassle of getting film developed, and make it easy to share physical images with friends and family immediately after they've been captured.

Camera Deals

You can also buy a new 35mm or medium format camera. You don't have as many options for getting film developed as you used to—if you're in a major city it'll be easy to find a lab, but you may have to resort to mail order if you're not close to a metropolis. You can find old film SLRs and compacts in thrift shops and online stores pretty easily. If you're intent on buying a new model, Lomography still makes a bunch of different ones, from toy models like the Sprocket Rocket , which captures panoramic shots with exposed sprockets, to premium options like the medium format LC-A After all, you can get an interchangeable lens model for the same price.

But these slim, premium shooters target a very specific market—photographers who already own a mirrorless camera or SLR and a bunch of lenses, but want something small as an alternative option. Sony changed that in with its revolutionary RX, which brought the 1-inch sensor class into the spotlight. A 1-inch sensor has roughly four times the surface area of the chips used in premium smartphones and entry-level point-and-shoots.

That leads to significantly clearer images, especially at high ISO. The industry has settled on 20MP of resolution for this sensor type, which delivers an excellent balance of image quality and noise control. With the larger sensor comes a shorter zoom. For the most part, you'll see models with short 2. These lenses tend to capture a good amount of light throughout their range and the optics required to do that necessitate a large front element and short zoom range. We're starting to see longer zooms in this category, but with narrower aperture and lenses that top out at 10x coverage mm.

A narrow aperture isn't as good for low light as models with short zooms and big f-stops, but is a better choice for travel, when you want a pocket camera with an ample zoom range. The 1-inch sensor size typically nets solid image quality through ISO , and even to ISO if you opt to shoot in Raw format, so use in dim light is still possible. There are also models out there with even larger image sensors and shorter zooms or no zoom at all. You can get a small camera with an SLR-sized APS-C image sensor and a fixed focal length lens, and there are even a couple of options out there with larger full-frame sensors.

You can opt for a fixed-lens camera that's sized and shaped a lot like an SLR— a bridge camera. If zoom is what you're after, a bridge camera may be your best bet, although understand that they won't handle dim light as well as an SLR. There are also premium bridge models with larger 1-inch sensors and shorter zooms.

They still have a considerable size advantage over SLRs with comparable zooms—just think about carrying an interchangeable lens camera and two or three lenses to cover a mm, mm, or mm coverage range. They tend to be more expensive than an SLR, and certainly more than bridge models with smaller sensors, but do better at higher ISO settings and sport lenses that gather more light. If you put a premium on a lightweight camera, and want the versatility that a long zoom design delivers, look at a bridge model with a 1-inch sensor. Just be prepared to pay a premium.

Not surprisingly, I find bridge models to be just about perfect for globetrotters. They pack a wide zoom range, so you don't have to fumble with lens changes.

And if you opt for a premium 1-inch model you can shoot in varying types of light. But you may want a different kind of camera to take with you on your journeys. If you want something more pocket-friendly, a point-and-shoot can do the trick. But be prepared to get a little spendy to get something worthy of your exotic destinations. For the rough-and-tumble crowd, I recommend the Olympus TG-6 due to its bright lens and tough build.

If you're more of a video person, don't forget about GoPro. For more leisurely vacations, reach for a premium compact like a Sony RX model or Canon G7 X and enjoy the comfortable form factor of a camera and image quality that's a tad better than your smartphone. If you don't mind carrying something larger, a good mirrorless camera and a couple of lenses will fit easily into a small bag and net images and videos worthy of sharing with friends and family back home.

The Sony a looks like a very strong affordable option we've not yet had a chance to test it , and there are alternatives like the Fujifilm X-E3 that are a bit more stylish. For a long time we looked at mirrorless cameras and SLRs as two distinct classes. But that time is over—there are no performance compromises by opting for mirrorless. In many cases, you'll get better autofocus and image quality by swapping an SLR for a camera without a flipping mirror. We've been disappointed that features common in mirrorless models, including tilting touch-screen displays and wireless connectivity, have been very slow to make their way to SLRs.

Likewise, while Canon has made significant improvements in video autofocus in its pricier SLRs, consumers are better off with a low-cost mirrorless model if they want fast, seamless autofocus when recording moving pictures. If you're not familiar with the term, the mirror that mirrorless cameras lack is the one that directs light to an optical viewfinder from the lens. SLRs, of course, still offer that. Getting rid of the mirror box allows for a slimmer design with fewer moving parts, as well as more accurate autofocus.

And, with the latest spate of models, autofocus is fast. So fast that you won't miss shooting with an SLR. Like SLRs, different manufacturers support different lens formats. If you buy a Sony mirrorless camera, you'll stick with Sony E and FE lenses , and if you opt for Fujifilm you're locked into the X lens system.

Point-and-Shoot Digital Cameras

The exception is the Micro Four Thirds system, which is a lens format shared by Olympus and Panasonic, and utilized by more specialized cinema cameras made by companies like Blackmagic. Sony still has a couple of models which use the legacy Minolta A-mount, but they use electronic viewfinders. The A-mount system is a legacy one that isn't likely to see any future development. We don't recommend new customers invest in it today. Traditional SLRs struggle when it comes to video autofocus. Contrast-based methods require that the focus point move just beyond the point of crisp focus and come back to it in order to lock on, which can be distracting when refocusing to follow a moving subject.

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  • SLR makers have worked to improve this, utilizing lenses with Pulse or Stepping Motors, which are quieter and smoother during focus, but they're still not on the same level as most mirrorless cameras. You'll get the back-and-forth effect with entry-level mirrorless models that rely entirely on contrast for focus.

    Best Second hand Camera Money Can Buy

    But it's not as noticeable as you get with SLRs, and by the time you've moved up to a midrange price point—which is actually in line with the price of entry-level SLR models—you start to see on-sensor phase detection. Camera makers like to streamline sensors across an entire line of models, as it allows them to develop technology once that can be used across their catalog. Your extra money typically gets you better build quality, faster memory card slots for longer burst shooting, and higher capture rates.